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Reversions, Revisions and Reveals, oh my!

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As many of you know, Samhain Publishing has closed its doors. This means that my Bollywood Confidential stories — Spice and Smoke, Spice and Secrets and Bollywood and the Beast, are no longer available for purchase in their current incarnations. My plan is to slowly re-release them via self-publishing. I need find new covers, strip all the Samhain-y aspects and probably edit and revise a ton. Here's what you can expect:

Bollywood and the Beast will be back first, sometime in the first half of the year.
Spice and Secrets will be next, likely with some additional text and revisions to make it worth your dollars.
Spice and Smoke is...yeahhhhh. Guys, IDK. It basically needs to be split into two novellas. And it needs a HUGE amount of work. It was my first novella and I've never been quite happy with it. It and its companion novella, Smoke and Ash, will definitely be the last stories to be re-released. I have no idea when that will be. Probably when I've spent all my tears and pulled out all my hair.

Now for some good news! I am putting out a collection of my erotic short stories and novellas, some of which have been published before and some of which are totally new to readers. My target for release is mid-April. It all depends on coding, finding the right distribution platform for me, etc.

Check out the blurb and the cover, which was gorgeously rendered by Romanced by the Cover.




From the past to the future, from hotel rooms to hospitals to homes, passion can bloom anywhere. In this collection of previously released and brand-new stories, Suleikha Snyder describes the many permutations of love, of ishq.

You have a thing for your hot boss. You can’t get your ex out of your head. You’re not supposed to be together. You aresupposed to be together. He doesn’t remember you. You can’t forget her. She died. You die. Somehow, love and lust still find a way. 
These are the Ishq Factors.   




My Newish Release is Up for Pre-order!

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What do you do when a bunch of your stories go away due to publisher-related natural disasters? You put up more! This labor of love is a collection of shorts and novellas, both new and old, spanning my entire publishing career so far. Some of them will be familiar to readers — like Heart Murmurs and Spice & Sand— so don't feel pressured to buy Ishq Factors if you already own those two tales! But I'm not going to complain if you DO still buy it. ;)

It's $2.99 for 12 stories of varying lengths, and I'm happy to furnish ARCs to reviewers. The book drops on April 4, 2017! 

From the past to the future, from hotel rooms to hospitals to homes, passion can bloom anywhere. In this collection of previously released and brand-new stories, Suleikha Snyder describes the many permutations of love, of ishq.

You have a thing for your hot boss. You can’t get your ex out of your head. You’re not supposed to be together. You are supposed to be together. He doesn’t remember you. You can’t forget her. She died. You die. Somehow, love and lust still find a way. These are the Ishq Factors.


Pre-order Ishq Factors at:

Amazon  | Barnes & Noble |  Kobo |  iBooks

Also, OMGWTFBBQ, this is a thing that has already happened:


Spoiler Alert: Someone Dies in This Movie

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One of my biggest cinematic pet peeves is when a film is advertised as a romance and you've invested your heart and soul in a beautiful love story...and then half the pairing kicks the bucket. Pushes up daisies. Shuffles off the mortal coil. THEY DIE. Because it's somehow noble and artsy and the partner left behind can cherish that experience and move forward and live a full life with skydiving and Pulitzers and shit.

How is that romantic? Like...no. Heartbreak is terrible. If I wanted heartbreak, I'd just stay in my own life, not fork over dough to escape into someone else's!

That's not to say that a person can't love again. Of course they can. But that's a different story. Don't make me root for these people for two hours and then go, "And they're dead now. Sorry!" It's deceptive, manipulative and cheap. The Powers That Be often think they're making some kind of deep and provocative statement with a Big Death...but what they're really saying is that they're happy to take your money after selling you a lie. That is some bullshit right there.

So, without further ado, here is a list of "romances" that are FOREVER on my shit list because there is no happy ending. (Not counting Nicholas Sparks movies. Because duh.) (See also: Romeo & Juliet and all its permutations.) (Also not counting Me Before You and The Fault in Our Stars because I haven't seen them and neeeeeverrrr will.)

1. Out of Africa (My earliest instance of encountering this stupid trope. I don't care if it's
She does. He doesn't.
autobiographical. It's Robert Redford!)
2. The Last of the Mohicans(I have to sit through hours of white-savior and damsel-in-distress bullshit AND Daniel Day-Lewis dies? No thank you.)
3. Titanic (Goddamn it, Rose. Just scoot over.)
4. Legends of the Fall (In which all the women die so Brad Pitt can live to a ripe old age wracked by manpain.)
5. Up Close and Personal (OMG, stop killing Robert Redford!)
6. The English Patient(Yep, he dies and his love interest dies. Naveen Andrews and Juliette Binoche are the only reason to watch this movie.)
7. Moulin Rouge (An overwrought and culturally appropriative piece of crap + Nicole Kidman dying of TB!)
8. City of Angels (Nicholas Cage gives up his angel status to be with Meg Ryan, who gets hit by a truck and dies. I gave up hours in a theater. Whyyyy?)
9. Brokeback Mountain (I'm aware that it and several other movies on this list are based on written works. I don't care. Stop profiting off LGBTQIA suffering, assholes.)
10. Alien 3 and Once Upon a Time in Mexico (These aren't romances, but Aliens and Desperado gave us Hicks and Carolina and then the next movie took them away and I'm still bitter.)



Dishonorable mentions — in which nobody dies but there's still no happy ending, so fuck you very much.

1.Roman Holiday(I love it to pieces, but I still watch it over and over expecting a different ending.)
2. Casablanca(I'm still not sure how Ilsa leaving Morocco with the husband she doesn't love is a good idea.)
3. Indecent Proposal (In which Robert Redford gets screwed again. Who in their right mind picks Woody Harrelson over him?!)
4. Speed 2: Cruise Control (Not only was this movie a gratuitous money-grab, but it felt the need to break up Sandra Bullock and Keanu Reeves and replace the latter with Jason Patric. Nope!)
5. The Replacement Killers (How do you have Chow Yun-Fat and Mira Sorvino spend an entire movie eye-fuckig, only to have them part ways? It's like Roman Holiday but with guns!)

The Patriarchal Call is Coming From Inside The House

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*A version of this was posted on Facebook in late April.

I've been thinking, lately, about cis men's acceptance into — and often domination of — feminine-coded spaces. Mainly because I have this clawing, gut-wrenching resentment of it that's been building over the past few years. It's like acid reflux but less pleasant. I tried to flip it around. To interrogate it from a different perspective. "Suleikha, if someone was this resentful of your inclusion in an exclusively white space, what would you say?" But you know what...? That's not the same thing. Because in NO WAY would I be allowed to gain the kind of power and notoriety that men acquire amongst women's groups. I would not be ceded the floor at every opportunity. My word would not be treated as gospel. You can be the token minority, but you can never lead the pack. That is not the case when you're a dude surrounded by women.
Is there an element of misandry in what I'm feeling? Probably. I'm self-aware enough to acknowledge that. But I also know that it's a particular type of man who inspires this roiling in my gut. There are plenty of guys I don't mind having around when I'm with women friends or with fellow industry professionals. The ones that rankle are the sea lions, the mansplainers, the guys who have to jump up and down and go, "Look at me!" so that every eye in the room is now on them. Because it's disingenuous. It's disrespectful. It's claiming a space as yours, marking your territory and turning a collaborative space into your harem.


And, honestly, no matter how you identify gender-wise, that's annoying. Get a dog if you need that much validation. A couple of dogs. But don't expect women to be your bitches...unless, I guess, they're willing to be.

Because that IS part of the problem. How we shuffle to make room, step back down the ladder, put ourselves in a supplicant position to these kinds of men. So that when they give a shout-out, it builds us up. When they deign to talk to us, we blossom. We become the student to their teacher. Even when we're smarter, more accomplished, more well-informed on the subject matter, we fall into this trap of "A man said it, so now it MUST be true."


Our truth is our own. And yet we willingly relinquish the rights to that truth to men who come into our workplace, our personal lives, etc.

Why? Are we really so easily swayed? Do we really want men to speak for us? I can't believe that.

Why don't we see that the emperor has no clothes? More importantly, why don't we embrace our own wardrobe full of beautiful things?

Flash Ficlet: "The Test Flight"

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I think it's safe to blame this wee bit of free flash fiction on authors Amy Jo Cousins, Olivia Kelly and Laura Curtis, and a Twitter discussion that sprang up between us after this picture of Indian pilots arriving in the UK in 1940 came across my tweet stream.

I'm not a historical romance writer by any means, but who can resist a good story prompt...or a good pilot?

(Spoiler alert: You're about to find out...)








The long, narrow room was filled to the brim with people and noise. Typewriters chimed merrily and telephones rang off and on. Ashok saw none of it after his initial assessment. Because as he closed in on Miss Maria Fernandes’s desk — second from the front, he’d been told — his vision was filled only with glory.


A brown pencil skirt hugged the typist’s trim waist and thighs, tapering to just below her knees and revealing plain war-time stockings with pin-straight seams. He couldn’t look away as the girl stretched across her desk to adjust the ribbon of her machine. Because the material stretched, too. Bhagwan. It was too much. And not enough. 

“Hey. Eyes front, Flyboy,” she snapped in husky and broken Hindi, even though he hadn’t announced his presence. Even though she couldn’t possibly know he was there. Likely she was used to stares, could feel them directed at her pert bottom. What was one more lewd look?

“S-sorry, Mem,” he murmured, tugging at his too-tight collar, suddenly abashed. His mother had raised a gentleman, not a lecher. A major. “Major Ashok Saxena. Again, apologies.”

She slipped back into her seat, patting the shining roll of her black hair. “Accepted, Sir,” she chirped in English, before finally deigning to set eyes on him.

Unearthly, beautiful eyes. Huge. Thick-lashed. Like the gaze of a goddess in a temple. They ruled her entire face and made him forget almost entirely about her legs. Durga, Saraswati and Laxmi were cursing him and blessing him at once.

Still beaming from passing his training and qualifying for the RAF with seventeen of the others who’d come to Britain, Ashok had walked into the typing pool like a strutting cock — top of the world — holding his letter for Ma and Pitaji and hoping for a little aankh-micholi with a pretty girl or two. But this girl’s gaze didn’t flirt. It conquered. It flickered over him, from his jaunty pilot’s cap to his shined shoes, and then returned to her typewriter. Unimpressed.

“May I help you?” Her English was perfect. Like her dark skin. A silver cross on a chain sat at the base of her throat, the metal a shining contrast. She was a Christian, then. A Catholic. It made a sort of sense. He could not imagine his sisters being allowed to come to England, much less to wear white collared shirtwaists and talk back to fighter pilots. Good Hindu girls from good Hindu families stayed home, or so he’d been told.

According to Pitaji, there was a long list of things good Hindu girls were supposed to do. Ashok wasn’t interested in a single one. They could hide behind their purdah. He preferred the woman who was right in front of him.  Lush and lovely with coral lips.

“I’ve a letter.” There. That was halfway to smart. “The other officers say you are the best.” She would type it, and then it would be combed over by Intelligence, sanitized before it was sent on to India. Singh and Rathod had assured him that Miss Fernandes had a softer touch than some of the other girls from the typing pool. That she found a way to communicate things to families back home despite the strictures.

“Eighty-five wpm,” she said, crisp pride and satisfaction filling her voice. “Give it here.” She extended her palm, flat and waiting for his papers.

His tongue was thick. His fingers even thicker, too clumsy to hand over the scribble-filled pages straight away. He’d never had trouble chatting up girls in Lucknow. One tight skirt, two perfect seams, even more perfect eyes, and he was lost. “Mem…” he began, only to stop and shake his head.

When he didn’t move, didn’t say anything further, Miss Fernandes just sighed. And her tart Hindi chastisement returned. “Hey. Ustad.” Again she called him “flyboy” as if he was just another man, another annoyance. Any man. Any annoyance. “I do not have all day. This isn’t your father’s office.”

Ashok choked and felt the tips of his ears grow warm.

He was RAF now. He was going to fly for the Allies.

And he’d been shot down without leaving the ground.  



~*~



There Are Things That Never Fade

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This is a revised re-post of a blog entry originally written in June 2016.

Trigger warnings for sexual assault.





A cousin in the back bedroom of my family’s three-bedroom ranch house. A friend who drove me home from our local dive and decided he had to walk me upstairs “just to make sure.” Another friend who once gave me a lift home and then stretched across the divider, seatbelt still on. A short cab ride to Grand Central with a B-list film and TV actor who's been in blockbuster franchises. And, most recently, in 2016, a former bartender who kept buying me mezcal and tequila. He kissed me until my mouth and neck bruised under the force of his grip — the marks appeared the next morning, after a harrowing night of throwing up in a Brooklyn bar bathroom and being walked home by a Good Samaritan.

It's amazing, when I think about it, how most of my experiences with men have involved unwanted advances, or even more unwanted touch. Because my mere proximity must have been enough consent. I sat next to them. Or I was kind. Or I was funny. I smiled. That was the green light to lean in, to loom, to lower lips to mine. To launch across the taxi and tell me, “I've always had a woody for you.” To bracket my chin and hold me in place. To tell me it would be our special secret — we called it “couscous,” my cousin and I, thanks to a shared love of Jamie Farr and The Cannonball Run. I can’t bear mention of the food or the movie now.

I smiled too wide. I gave them the wrong impression. It's amazing, too, the things I've told myself over the years about all of these encounters — the judgment growing all the heavier as my few consensual moments, more often than not alcohol-fueled, joined the pile. I don't think I've kissed someone while sober since I was 18 years old. I'd like to think it didn't count at all when I was eight.

At a certain point, I began to feel like the word “victim” was scrawled all over me. Like they could read it, smell it, taste it — like the shame was leaking from my pores. So I needed a drink to forget that essence, that tattoo, for a while, or I needed a drink to make myself brave enough to flirt with someone I actually liked. And then, inevitably, I would realize the man next to me saw what I was trying so hard to hide. He’d see it and then he’d interpret “victim” as “easy” or “I want it,” and he’d take away the choices I’ve been fighting so hard to get back.

I live in terror that I do the same things to men that they’ve done to me. Coasting on those beers or shots that boost my bravado, I lean across a bar and I say outrageous things. I like watching a cute guy blush. I like shocking a man who professes to be a swaggering Lothario with my language and my off-color suggestions. I put a hand on an arm. I cling too long during a hug. I ask — God, this is embarrassing — but, yes, I’ve askedpeople to sleep with me. Would you do it if I paid you? I actually said that, awash in desperation, to a man who’s married now and lives clear across the country in L.A. He said no, obviously. And I am very, very glad. Another guy I know wouldn’t even let me get the question out. Don’t say it. No, he chided. He bodily walked me back to my seat like I was an unruly child who needed a time-out. Someday soon, I’ll be very glad for that, too.

I’m always immediately sorry afterward. A log of all my text messages and Facebook PMs and beet-red in-person apologies would probably be longer than a stack of CVS pharmacy receipts. “I would never...” I always say. “I would never,” and “I’m so sorry,” and “I don’t ever want to make you feel uncomfortable.” I am a veritable master at assuring people I believe in consent afterI’ve crossed a line. They always assure me it’s okay...though maybe they scoot one stool further away, maybe they don’t greet me quite so cheerfully the next time. Maybe that’s just my shame clouding my perception, maybe that’s just my imagination playing cruel tricks on me. I’m so afraid that I have become that journeyman actor in the cab, so disgusted by the knowledge that I could easily be that guy in the bar putting his hands on someone who couldn’t pull away. After all, isn’t that how it goes? The abused go on to abuse others? Perpetuating the same cycle? Aren’t a I predator now, too?

I’m not. On the good days, I know I’m not the same. I don’t have that power and privilege, for one. All I have is the cumulative weight of what’s been done to me — and it so fucking heavy. It pairs really well with the feeling that I am not good enough, whole enough, or sane enough, to interact with a person I’m attracted to in a normal way.

Of course someone once told me “It's not like you were raped.” Of course another person asked me, so bewildered by my burdens, why I’m not “over it.” As if penetration is the only real violation. As if I'm not allowed to catalogue the countless moments where I felt unsafe and guilty and betrayed, or to still be hurt by them. You get over it. You move on. And when it happens again, you get over that and move on one more time. There’s no FitBit to count those steps, is there?

There's so much of it I can't remember. So much of it I want to forget. But it’s all still present, all still here. The words on my skin. The reek of their meaning. The empty space where my trust in men should be. Relatives, friends, strangers...I still look at everyone with suspicion. And that's not even counting anonymous groping, ass-grabs, men trying to pull me on dance floors, online dating perverts, and guys who've called me a bitch when I dare to shoot them down.

I smiled too wide. I gave them the wrong impression. That must be it, right? If I’m constantly suspicious of men, I’m even more regularly suspicious of myself, of what I must be doing to make these things happen. I must be broken.

Weeks after that bartender held me in place at the mezcal joint, I found myself tracing my neck, like the thumbprint hadn't faded. I shuddered, still feeling the pressure of his hold. I kept trying to find a way to make it my fault. You shouldn’t have been there. You shouldn’t have scooted over to talk to him. You shouldn’t have let him buy you that first drink. You should’ve found a way to spit out the third and the fourth. Thirty years after being molested by a cousin, even knowing what I know now about concepts like rape culture, and while calling myself a sex-positive feminist, I still wanted to make it my fault.

None of it was ever my fault. I didn't ask for it. I just existed. I just breathed the same air. I was kind and funny and I smiled. I'm a woman, I had to remind myself over and over again. That's all the reasoning he needed.

I wish I could say that the message took root. I wish I could say that therapy and medication and writing a whole lot of enthusiastically consensual love scenes for romance novels have “fixed” me, or at least put a new narrative in my head. But there are things that never fade — scars that never heal, voices that never stop shouting.



Five Things About SEARED

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My latest sexy contemporary romance, Seared, drops on December 12!

Here are five quick things about this soapy send-up!

1. I released Seared briefly in a much shorter and serial format in late 2015. It was called Unlock Me at the time — and I used a different pen name! I called myself Mariah Kendall Quinn, after three of my favorite soap opera women: The Young and the Restless' Mariah, All My Children's Kendall, and The Bold and the Beautiful's Quinn. I ended up pulling the installments off Amazon and scrapping Mariah, because I honestly wasn't prepared to be self-publishing at that point. You live and you learn! I eventually reworked the story a little, made it longer, and even submitted it to traditional publishers via my wonderful agent. When that particular avenue didn't pan out, I knew I wanted to try self-publishing again — and this time I was ready for it!

2. Lachlan Christie, the DomChefStepbrother hero of Seared, is a pretty blatant homage to Gordon Ramsay. I think the video below sums up why.







3. Heroine Naya Christie is a writer on a German soap opera. While I took liberties with her job duties, because German soaps don't work the same exact way as U.S. ones, I did not pull the idea out of my ass. I was a soap reporter for quite a while, and I was fortunate enough to meet Tom Chroust, the head writer of German soaps Verbotene Liebe and Alles Was Zählt, several years ago. I also interviewed actors from both shows. It was a blast, and I've always wanted to tip my hat to that wonderful experience!
Dishing international soaps with Tom Chroust in 2010


4. There was a really terrible chapter that readers will, thankfully, never see. Let's just say that it involved the kitchen island and butcher's twine. When I was doing revisions this past summer, I looked at it and seriously wondered what alien entity had taken over my body to write it.



5. I have at least one more book planned in this Master Chefs series with the potential for a third. I hope to begin writing book two, Simmered, sometime in 2018. You meet the main characters in Seared. It will be femdom. And that's all I know right now! I hope readers will like Seared enough to anticipate the next serving!


Suleikha's Top Five Bangable Cartoon Creatures

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I don't know if this speaks to the secret furry we all have inside of us, but let's face it: There are some fictional critters that are highly bangable. You'd hit that, I'd hit that, we would all hit that...and probably not ever talk about it to our friends and family. (Twitter, however, would hear all about it.) It's just because of the way these human-like characters were crafted — with charm, sensuality, charisma and sometimes a prehensile tail. We can't help ourselves.

I'm not here to judge. Just to call 'em like I see 'em.


1. Disney's Robin Hood. Forever and always. How would you not want to ooda-lolly all day with this mischievous fox? You know his arrow will always find its target. No other Robin Hood is as foxy as this one. Sorry Kevin Costner, Sorry Errol Flynn, sorry Jonas Armstrong. I'd apologize to Russell Crowe, but I like to pretend that movie didn't happen.






2. Goliath, from Gargoyles. Keith David's glorious voice meshed with this tall, dark hunk of broodery? Yeah. You know it. Elisa Maza knows it. I'm sure they eventually had adorable bispecies rock babies together. (I never got to the end. Don't tell me if they didn't.)



3. Lion-O. You know how they shout, "Thundercats, ho!"? Well, that joke writes itself when you look at this sleek piece of kitty. See also: Cheetara. And feel free to make up a naughty story about whatever it is they're holding in this picture.



4. Roger Rabbit. You think I'm joking, but Jessica could get it. Anyone. Anywhere. She stuck with Roger because he had skills. That's all the convincing I need. (We'd have to do something about his laugh, though. Ball gags, anyone?)




5. The Beast from Disney's Beauty and the Beast. It is a well-documented phenomenon: Most viewers utter an underwhelmed "meh" when he turns into a bland human at the end. Please give us the big, broad, furry beast — and that ginormous library, too. In fact, I might just consider the Beast bone-worthy because of his book collection.



 

What about you, readers? Which furred-up fictional hunk or lady would you love to play a little mattress tag with?
 

You're Not Reinventing the Romance Wheel

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Every few years — hell, maybe it's every few months — someone tries to set themselves up as the arbiter of what romance novels have validity and deserve to be representative of the genre. Whether it's declaring historical romance dead and hailing the rise of New Adult, suggesting the New York Times review these authors and not those books for a "smarter" presentation of romance, penning pieces about the "new" heroines of "new" feminist romances, or dismissing Harlequin as outmoded and out of touch compared to independent authors...someone is always trying to reinvent the wheel to their specifications. It would be kind of funny if it weren't so divisive. Given how much gatekeeping we already have to deal with from publishers, do we really need the extra elitism and attempts at taste-making?

Romance has been blazing trails since the 1970s. We could even go all the way back to Heyer and Austen. I'm not going to go over the ground that many academics and romance historians have already tread. I'm just pointing out that none of this is new. The writing and reading of romance has always, always, been a feminist act for its time. And trends within the genre have always been cyclical. Alpha heroes and strong women who push back against them didn't just crop up five years ago. Neither did heroines in their late teens/early 20s. Neither did super-filthy, boundary-pushing love scenes. (Bertrice Small's Wild Jasmine had an f/m/f scene with anal sex. In 1992.) You're not bringing sexy back, Justin. It never left.




What has changed is the rise in previously marginalized voices telling their own stories and being welcomed into the mainstream. That welcome is not happening quickly. Much like the growth and explosion of romance written by and for black women throughout the '80s and '90s and into the 2000s, it's largely happening in spaces that white het cis vanilla people don't pay attention to. We're seeing kinky romances written by kinky people. Queer and trans romances by queer and trans voices. Romances featuring disabled characters by people with disabilities. And, of course, more diverse romances by people of color. People who didn't have perspectives, and control of the narratives, are demanding that page-time and that shelf space now. But, guess what? We're still not reinventing the wheel. It's the same wheel. It's just on a wider path.

The ebook revolution has thrown the doors of romance publishing wide open. You can literally find anything you're looking for. That doesn't mean it didn't exist in print, in 'zines, in somebody's drawer, in 1983. Sandra Kitt's interracial romance The Color of Love came out in 1995. Beverly Jenkins'Night Song came out in '94. Rebecca Ryman — aka Indian writer Asha Bhanjdeo — released Olivia and Jai in 1990. To pretend diverse romance just manifested into existence because it's "trendy" right now — and I see this from proponents and detractors alike — is ridiculous.  

What gets forgotten in all of this, though, is readers. They are voracious. And every book has an audience. And whenever someone steps up to say "read this thing, not that thing," there are thousands if not millions of readers who still want that thing. (My only caveat to this paragraph is when people want a racist thing or an abusive thing. Fuck those things.) Readers know the wheel, too. You can dress it up. You can bedazzle it. It's still the wheel from 40 years ago, and you're not fooling anyone. To shift metaphors, all you're doing is updating the locks on the gates. You're not changing the readers...you're changing their access. You're deciding what deserves to be read, who deserves to be on that bookshelf. And for what...? Who does that really benefit?  

 




 


I'm Going Rogue!

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My next release is coming up on May 8, in the fourth installment of the Rogue anthology series! This short story, "In Her Service," started knocking around in my head after I mainlined Star Trek: Discovery on CBS: All Access and fell head over heels for the very complicated pairing of Michael (Sonequa Martin-Green) and Ash (Shazad Latif). Using that couple as a jumping off point, I started thinking about real-world politics and the government, and amazing women like Kamala Harris and Maxine Waters. And, lo, Letty and Shahzad* were born!     

*Yes, I know; I have no shame — I totally named my hero after the actor!  

Pre-order Rogue Hearts now!

AMZ | B&N | Google Play | iBooks | Kobo
From high office to the heartland, six brand-new romances about #resistance for readers who haven’t given up hope for a Happily Ever After…
In Her Service by Suleikha Snyder
U.S. Vice President Letitia Hughes has one thing that’s hers and only hers: her relationship with much younger Secret Service agent Shahzad Khan. When push comes to shove, what will take precedence: political ambitions or protecting their hearts?
Run by Emma Barry
Public defender Maddie Clark doesn’t want to be a candidate for the state senate—but she’s running. Her high school nemesis turned campaign advisor Adam Kadlick shouldn’t be back home managing campaigns—but he is. They definitely should avoid falling for each other—but they won’t.
The Rogue Files by Stacey Agdern
Reporter John DiCenza wants to go back. To New Jersey, to his life, the hockey team he covers, and the fanbase he’s proud to know and support. Back to before he had the Rogue Files, documents rumored to be the final nail in President Crosby’s term.
Journalist Sophie Katz wants to move forward. Toward her new TV show, and a life where the stories she tells will make a difference. She needs the Rogue Files and the story behind them to get there.
But when life comes at them, John and Sophie realize that the true story behind the files is standing up for the truth right where you are.
Coming Up Rosa by Kelly Maher
When her mother’s health crisis forces Rosa Donnelly back to her hometown, she crosses paths with her former crush, and town golden boy, Ian Stroman. Ian’s shine is even brighter thanks to his advocacy work to fight inhumane government policies. However, their past hurts and a current business threat may spike their chance at happiness.
The Sheriff & Mr. Devine by Amy Jo Cousins
There’s a new sheriff in Clear Lake and he has Eli Devine, the town librarian, on edge. Between arguing with the town council about inclusive library programming and keeping his three grandmas from getting into trouble, Eli has enough on his plate already. He doesn’t need the imposing Sheriff Baxter to be so very . . . distracting. Luckily for Eli, John Baxter is full of all kinds of good ideas, both for the town and for one stubborn librarian in particular.
Good Men by Tamsen Parker
Laid-back Benji Park is the keyboard player for the world’s hottest boy band, License to Game. While LtG is no stranger to charity gigs, Benji’s never been what you’d call a social justice warrior. But when smart, sexy, and ruthless immigration lawyer Jordan Kennedy comes along and asks Benji for a favor, he just may change his tune.

Born To Be White: How Biracial Historical Heroes Reinforce The Status Quo

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I was in the shower, thinking about how much I enjoyed KJ Charles’ Unfit to Print and its two POC leads, when I had a revelation about books I don’t enjoy so much. Why do half-Indian heroes in most historical romances continue to bother me so damn much? Not just because they don’t engage with biracial identity or transracial adoption or anything of that nature in any meaningful way, but also because they reinforce the relationship between white adjacency and white supremacy. When that hit me, I practically skidded across the tub from the force of the “duh!” The whole point of these sexy dukes and earls and generally wealthy hunks with tans is that they can move in white worlds. They “belong” in ballrooms, in clubs, in the House of Lords. It’s aspirational, inspirational. I mean, heavens, we wouldn’t want them otherwise, would we?

 It kind of reminds me of that scene in The Ten Commandments where Nefretiri comes to visit Moses in the mud pits (let’s linger, momentarily, on the irony of me citing a film where two white actors playing an Egyptian woman and a Jewish man, respectively). There is naked lust in her eyes. She doesn’t mind his reversal of fortune one bit, as it allows her to enjoy his sun-bronzed and dirt-speckled chest. But, ugh, one thing bugs her: “They may be your people, but do you have to wallow with them, smell like them?” she huffs of his choice to stay and toil with the enslaved people in Goshen. Do you have to smell like them? In other words: Be as diverse as you want, embrace your heritage…but it has to be in my world, where I’m comfortable. As long as it serves me and my sexual and political needs. As long as you can still be Prince of Egypt. Be who you are on my terms. Gee, why does that sound familiar?  

Because it’s everywhere in romantic fiction by white women. Because it’s everywhere in our world. People of color, people from marginalized communities, are only useful if they are tools to maintain the status quo. If they fit in with the white cishet ideal without making waves. So, heroes like the ones in Eloisa James’ Born to Be Wilde, Katharine Ashe’s In the Arms of a Marquess, and various books by Mary Jo Putney…they are basically the Regency Model Minority. The “good” brown men who fit right in, who don’t flaunt their Otherness, who never make white people question their whiteness. They don’t go to temple. They don’t associate with any other brown folks. They only speak English. They don’t smell like curry (but sandalwood is okay!), because they don’t eat it unless their white friends have expressed interest in Indian cuisine. They think wealth and social status are the great equalizer—and in most historical romances they certainly are: The whole reason that these male characters can marry white women and live happily ever after is because they are rich enough for their racial identity to matter just a little less. Money and power allows them access, acceptability…to assimilate, not integrate.  

Applied to our current political climate, that philosophy is even less romantic. All of these dudes would be pro-45 Republicans in the US and pro-Brexit Conservatives in the UK. That’s right. We’re talking Dinesh D’Souza, Ajit Pai, Shiva Ayyadurai. (Albeit much lighter skinned, of course.) Really sexy right? Are your loins afire yet? I’m sure this would horrify many white historical romance authors who consider themselves progressive feminists. But that’s what happens when you don’t engage intersectionally, when you only look at your decisions through a white lens. When you assume that hanging out exclusively with white people, in a white society, is what all POC must aspire to. You completely miss the damage of the model minority myth, of assimilation, of how desperately trying to pander to white supremacy has led to upheaval within communities of color.   

“They may be your people, but do you have to wallow with them, smell like them?”

Yeah. Yeah, we do. And it’s better than smelling like racist bullshit.  

Suleikha's 18 Favorite Reads of 2018

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I haven't been a very diligent blogger during 2018, but I have been a diligent reader! Here are 18 books that stuck with me over the course of a very turbulent year! From jaw-dropping fantasy debuts to tried-and-true historical favorites to excellent contemporary romances...I crawled into so many special books and found comfort, escape, and entertainment. Books save lives. The following titles definitely helped save mine.

1. Lake Silence by Anne Bishop

2. The City of Brass by S.A. Chakraborty

3. Unfit to Print by KJ Charles

4. Luck of the Draw by Kate Clayborn

5. The Belles by Dhonielle Clayton

6. A Duke By Default by Alyssa Cole

7. The Governess Game by Tessa Dare

8. The Princess Trap by Talia Hibbert

9. Dread Nation by Justina Ireland

10. Tempest by Beverly Jenkins

11. Mr. Hotshot CEO by Jackie Lau

12. Wicked and the Wallflower by Sarah MacLean

13. Trail of Lightning by Rebecca Roanhorse

14. Ivan by Kit Rocha

15. Hope Never Dies by Andrew Shaffer

16. Rebel Hard by Nalini Singh

17. Jane Doe by Victoria Helen Stone

18. Empire of Sand by Tasha Suri

Why I'm Not Happy About My Book Deal (or anything else)

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Ever since I signed a three-book contract earlier this year, I've been going through this thing. Where I tell someone about it and they exclaim, "Oh, you must be so thrilled! Congratulations!""Thanks, I'm terrified, actually," I say, fidgeting in my seat and feeling my cheeks heat—certain the person will think me ungrateful, but unable to lie and feign joy. And then the rest of the words tumble out of me. About the anxiety, the depression, the fear that I will fail. Nothing the person asked to hear. All they want is to be happy for me and I can't allow them, or myself, that moment.

My struggles with mental illness are no secret. I was in a depressive low even before my agent emailed me in March to let me know an editor wanted this book, this series. I had commitments to write a column for Frolic.Media that I kind of just...bailed on. (Sorry, Frolic!) I was barely poking at new fiction projects. The book news just sent me deeper into the spiral. Weeks turned into months of darkness. Of staring at my Word document in despair. Of listening to that voice in my head, whispering like Iago, "You're going to fail. You're going to die before you finish this book." Pushing myself out of the house—and ostensibly out of my head—inevitably meant going to local bars...and "celebratory" cocktails quickly turned into "drink until I cry" cocktails and "black out when I get home" cocktails. 

Before people rush in with well-meaning advice...I have a therapist. We've upped from monthly to twice a month. I have a new psychiatrist scheduled. I (try to) go to an exercise class every week. No, I'm not going to try yoga. Yes, I've tried meditation. This is not about asking for help. This is an honest look at the utter clawing terror that steals joy, that inhibits creativity, that wants to ensure we don't reach our full potential. Because I know exactly what this is. I know what's causing it. I know why I push past the third-drink happies to the fourth-drink miseries. No amount of self-awareness actually helps stop it. And neither does Downward-Facing Dog, okay?




I somehow managed to wrangle the low-energy slump, the morose drinking, and get myself to a safer dynamic. Or so I thought. Pulling out of the depressive nosedive offered no respite. Because the anxiety spiked soon after. The physical symptoms just as overwhelming as the fatigue and fog of depression. "Bees in my chest," I call it. Plus insomnia. Paranoia. A nice dash of hypochondria. I don't have to worry about getting too sloshed at the local bars anymore, because panic sets in and I just leave. I try to hang out with people, so I have other voices to listen to besides my own, but the anxiety just crashes right back over me like a wave once I'm alone. "What did you say to them? You're so stupid. What are they going to think of you? Log kya sochenge? Shobai ki bolbe?" 

I spend more time worrying than I do writing. My book is due in October. I'm obsessed with not making that deadline. "You just have 30,000 words to go. You can do this," says the tiny rational part of my brain. "No, you can't. And if you do, it's just going to suck. Everybody's going to hate it. Everybody's going to hate you," counters the louder voice, the depression-and-anxiety voice. It's relentless. Unforgiving. Enumerating every single thing that could possibly go wrong between now and October 1, every single way I could self-destruct. have to be perfect, my book has to be perfect, and of course I'm not and it's not, so why even bother?

I keep looking up weighted blankets on Amazon. Researching various CBD products. Trying a white noise app at night. Taking half a Klonopin when I have no other recourse. Looking into anything, absolutely anything, that might calm me the fuck down for a minute. And then another minute. Enough minutes for me to finish this goddamn novel. It feels like a fruitless search...not just for a temporary anxiety cure, but for peace of mind I never had to begin with. 

"Oh, you must be so thrilled! Congratulations!"

I so wish I was. I'm incredibly lucky that other people are thrilled for me. I'm glad they're feeling what I can't and I hope that, one day, I'll be able to catch up. 

Suleikha's Top 19 Romances of 2019

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Tallying up my favorite 2019 romances was no easy task, but somehow I managed! Because I don't want to play favorites with my favorites, these are in alphabetical order by author's last name. And, okay, I do have two Alyssa Cole books on here–-which I realize isn't fair—but she had a banner release year, and her historicals and her contemporaries are very different in tone but equally brilliant. I would be more disingenuous for leaving one of these titles off my list.

1. Proper English by KJ Charles

2. An Unconditional Freedom by Alyssa Cole

3. A Prince on Paper by Alyssa Cole

4. A Darker Shade by Laura K. Curtis

5. Teach Me by Olivia Dade

6. Well Met by Jen DeLuca

7. Trashed by Mia Hopkins

8. Rebel by Beverly Jenkins

9. Mangos & Mistletoe by Adriana Herrera

10. The Beast of Beswick by Amalie Howard

11. Ayesha at Last by Uzma Jalaluddin

12. Brazen and the Beast by Sarah MacLean

13. The Austen Playbook by Lucy Parker

14. A Duke in Disguise by Cat Sebastian

15. The Takeover Effect by Nisha Sharma

16. The Rogue of Fifth Avenue by Joanna Shupe

17. Realm of Ash by Tasha Suri

18. Three Part Harmony by Holley Trent

19. The Lady's Guide to Celestial Mechanics by Olivia Waite


Suleikha's 2020 books to look out for:

I devoured the ARCs for these awesome romances and will rec them to anybody and everybody in the year ahead! (The Shupe and the Clayborn came out on Dec. 30 and 31, respectively, but in publishing that's considered a January release!)

Love Lettering by Kate Clayborn
House Rules by Ruby Lang
Headliners by Lucy Parker
Deal With the Devil by Kit Rocha
The Worst Best Man by Mia Sosa
The Prince of Broadway by Joanna Shupe

Twenty-Eight Days Later: Not the Zombie Apocalypse

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I'm a romance author who's never had a relationship. Or at least that's what I tell people—and they are almost always shocked by that assertion. It's only in recent months that I've realized it isn't strictly true. I have had one significant long-term relationship. A toxic twenty-year on-and-off affair with alcohol...that's been in tandem with my lifelong partnership with fear. I've always been so afraid. Afraid I'm terrible, unlikable, unlovable. Afraid of what I'll say and what I'll do. Afraid of not being funny. Of not being cool. Of not being pretty enough. I grappled with those fears alone through my teens and into my first few years of college. And then I realized drinking softened the edges. A glass in my hand was like Dumbo's feather. It gave me the courage to fly.


The first time I kissed someone as an adult, it upended me. I wasn't ready. It was too much too fast and too soon. I broke up with the person—we'd only been dating a few weeks; he was bewildered but ended up with someone extremely physically affectionate and outgoing, no alcohol necessary. I didn't realize it then, what I was doing and why, but now I think it set me on the path that led me to where I am now. Every time I've kissed someone after that freshman-year foible, I've had a few drinks in me. Sometimes more than a few. So it's only scary the day after and the day after that. When I wake up hungover and missing details. But it's not just about boozing up to dull the anxiety of kisses, of touches. I've come to realize that having a few drinks has been my social crutch in general. So I'm not afraid to just talk to people, to just be myself.   

I haven't had a drink in 28 days. It'll be 30 by Monday. I'm not going to tell you what led to the break. Let's just say that it was a really good wakeup call. One I heard loud and clear. And so I've been loud and clear. Hearing my own voice, speaking to other people, with nothing more than a club soda with a splash of cran in my hand. Learning who I am, learning to love her, without being drunk. My favorite bartender calls my new drink of choice The Incognito, because it looks like vodka-cran but isn't. It's ironic that a drink named for hiding, for subterfuge, is allowing me to actually show my truth. I'm not terrible, unlikable, or unlovable. I haven't been afraid of what I'll say and what I'll do. I'm not afraid of not being funny. Or of not being cool. Or of not being pretty enough.

The secret of Dumbo's feather is that it was never necessary. The power was in Dumbo all along. It's been really empowering—but still a little terrifying—to let myself soar.            

Happy Un-birthday to Me

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Today, April 15, is the day I was supposed to be born. My mother's full-term due date—which I audaciously ignored, debuting more than two months early. Every year on this date, I get philosophical. I wonder who I might have been. If I would be "me" at all.

Would I be healthy? Would I be neurotypical? Would my teeth be straight, my vision 20/20? My skin smooth and one consistent shade? Would I be a doctor, lawyer, or engineer? The best daughter. The functional friend. Someone capable of love who is loved in return? Would I have a spouse by now? Children? Pets?

It's my own Sliding Doors story. My own perpetual "What If?" What would have happened if I'd stayed inside a little longer? If I hadn't come out half-baked?

Would I be happier? I think that's the biggest question. Would I be whole? Would I have escaped some of the traps I fell—and jumped—into these past 42 years?

I don't know. I wish I had answers. Instead, all I have is this day. Maybe it's fitting that it's Tax Day, too. Because my memory pays a tax to that person I never became. 

What People Are Saying About BIG BAD WOLF

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 The reactions and raves are rolling in for my mass-market debut, Big Bad Wolf. See what people are saying!


"In a lusciously dark urban fantasy, Suleikha creates an impossible love story that will have you holding your breath from the first to the very last page. A thrilling feast with a diverse, complex heroine, a badass anti-hero, and a meticulously designed story that will have you begging for more. I could not get enough of this book!"  -- award-winning author Nisha Sharma

"Big Bad Wolf is a perfect urban fantasy for the times: clever, romantic, heroic, and filled with hope for a better future. Suleikha Snyder has crafted an amazing world. I literally couldn't put it down."–- award-winning author Alisha Rai

"Fast, gritty, and just insanely sexy. Such a wild ride. A melting pot of angst, grit, and high stakes romance." -- award-winning author Sonali Dev

 “I want to punch that barrel-chested idiot Joe Peluso in his ugly/handsome face. Rename the book ‘What the hell Joe Peluso!’” – Sarah Title

“Incredible. Unforgettable. Suleikha Snyder is a star, and Big Bad Wolf is intense, riveting, and utterly glorious. Come for the world-building. Stay for the engaging characters. This book is for anyone who wants their romance with an edge, served piping hot with a side of danger.” --NYT& USA Today best-selling author Ann Aguirre

 "Refreshingly diverse and engaging...a familiar romance set in an extraordinarily gripping world." -- Kirkus Reviews



On the Shelf: Oct/Nov 2020

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New feature! I used to log my monthly reads on my personal blog. I'm ending the year by moving them over here to Suleikha Land! I do my best to keep track of what I've read, what I'm reading, and what books I'm anticipating. And sometimes I remember to write up little intro paragraphs. I hope someone finds these posts valuable/entertaining. 

October saw me sinking into horror and thrillers and things that go bump in the night. I could barely focus on romance. Luckily, I rallied in November and added to my reading count substantially—especially in my most beloved genre! From Ann Aguirre's exquisite fairy tale, Bitterburn, to The Bitter and Sweet of Cherry Season (no relation, lol!) by Molly O'Keefe writing as Molly Fader to Jayce Ellis' sizzling office romance Learned Behaviors and two powerhouse books by Kennedy Ryan. Meanwhile, Nico Rosso's Haunted proved a welcome entry to gothic historical romance and I finally caught up with Illona Andrews' latest Hidden Legacy book. And Kate Clayborn's lovely meditation on found family and grief, Love at First, proved a gorgeous follow-up to January's Love Lettering


The Reading Rundown
Bitterburn by Ann Aguirre (fantasy romance)
Emerald Blaze by Illona Andrews (urban fantasy, paranormal romance)
Love at First by Kate Clayborn (out 2/23/21, contemporary romance)
Learned Behaviors by Jayce Ellis (contemporary LGBTQ+ romance)
The Bitter and Sweet of Cherry Season by Molly Fader (mainstream fiction, contemporary romance; CW for domestic violence)
Little Haunting by the Sea by Kate Johnson (contemporary romance, ghost/mystery; CW for multiple tragedies, self-harm, sexual abuse)
The Twisted Ones by T. Kingfisher (horror)
Mexican Gothic
by Silvia Moreno-Garcia (horror)
The Family Plot by Cherie Priest (horror)
Block Shot by Kennedy Ryan (contemporary romance)
Queen Move by Kennedy Ryan (contemporary romance)
Haunted by Nico Rosso (gothic historical romance)
Lock Every Door by Riley Sager (thriller, horror)
The Project by Courtney Summers (out 2/2/21, thriller/suspense, mainstream fiction)
Survivor Song by Paul Tremblay (horror, thriller)



Backlist adventures: Anne Stuart's steamy historicals, Reckless and Never Kiss a Rake, filled that comfort read niche for me as November got underway. They both had blond heroes named Adrian, which was a little jarring to read back-to-back, but I'm not really complaining. Then I continued the Stuartification and read Shadows at Sunset, which was a contemporary for its time but is basically a historical now. (lolsob!) I also reread a Tessa Dare favorite, A Lady By Midnight—because sometimes you just need a restorative trip to Spindle Cove.

Currently reading:The Intimacy Experiment by Rosie Danan.

On the TBR/wish list:
How to Catch a Queen by Alyssa Cole
Illusionary by Zoraida Córdova
Wild Rain by Beverly Jenkins

Suleikha's Top 20 Romances of 2020

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2020 was not an easy reading year—and particularly not an easy reading year for me with romance. I made a serious detour into horror and thrillers for a bit, as if those would somehow make reality a little less horrifying. Nonetheless, I found some stellar romance novels that reminded me of why love is one of the most important things we can have in troubling times. Here is a list of my Top 20 favorites of the year—in alphabetical order so you can't tell which ones were the MOST favorite. ;)  


1. Strange Love by Ann Aguirre

2. Love Lettering by Kate Clayborn

3. 40-Love by Olivia Dade

4. You Had Me at Hola by Alexis Daria

5. When She Was Naughty by Tessa Dare

6. Recipe for Persuasion by Sonali Dev

7. Boyfriend Material by Alexis Hall

8. House Rules by Ruby Lang

9. The Hidden Moon by Jeannie Lin

10. Hate Crush by Angelina M. Lopez

11. The Duke Who Didn't by Courtney Milan

12. Headliners by Lucy Parker

13. Messy by Katie Porter

14. Deal With the Devil by Kit Rocha

15. The Boyfriend Project by Farrah Rochon

16. Haunted by Nico Rosso

17. Queen Move by Kennedy Ryan

18. The Devil of Downtown by Joanna Shupe

19. The Worst Best Man by Mia Sosa

20. The Care and Feeding of Waspish Widows by Olivia Waite



I also need to give out some honorable mentions. My first one's to The Widow of Rose House by Diana Biller. It was released in October of 2019, but I didn't get around to it until February 2020. And then, of course, I have to rave about Alyssa Cole's brilliant thriller When No One is Watching, which had a romance in it but that wasn't the focus of the book. They were both excellently crafted page-turners, and Biller's adorkable Sam is #herogoals. And last but never least are KJ Charles' historical mysteries, Slippery Creatures and The Sugared Game, aka the Will Darling Adventures. I can't wait for more from this world!  

2021 Romances to Look Out For:

A few of these I've read, a few I haven't. And I'm so excited for all of them to hit shelves! 

Rosie Danan's The Intimacy Experiment
Jen DeLuca's Well Matched
Sonali Dev's Incense and Sensibility
Farah Heron's Accidentally Engaged
Beverly Jenkins'Wild Rain
Eva Leigh's Waiting for a Scot Like You
Kit Rocha's The Devil You Know
Tasha Suri's The Jasmine Throne

On the Shelf: December 2020

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In December, with the first draft of Pretty Little Lion turned in to my editor, I finally got to relax and tackle some things in my TBR pile...but I didn't make enough of a dent to suit my competitive streak! 2020 being what it was, I didn't really expect to top last year's reading tally of 135 books. But when my total ended up being 95—even with one last book just hours before midnight on December 31—I was pretty disappointed in myself. Ouch. I didn't even crack 100! Oh, well. Now there's 12 months ahead for me to get my peepers on more pages! 

The pages I peeped in December included some incredible historical romances, like Courtney Milan's The Duke Who Didn't, Eva Leigh's hysterical Waiting for a Scot Like You and EE Ottoman's soft and gentle The Longest Night. I also had a Zoraida Córdova lovefest. I've probably said this before, but I would read Zoraida's grocery lists. I'm such a fan. She makes every genre she steps into her own. I also really enjoyed Rosie Danan's The Intimacy Experiment, a thoughtful exploration of faith and intimacy—and sex—as a rabbi and a former adult film star fall in love.  


The Reading Rundown:

Vampires Never Get Old by Zoraida Córdova, Natalie C. Parker, Samira Ahmed, et al (anthology, young adult horror)
Wayward Witch by Zoraida Córdova (young adult fantasy)
The Intimacy Experiment by Rosie Danan (out 4/6/21, contemporary romance)
When She Was Naughty by Tessa Dare (historical romance, novella)
Red Hands by Christopher Golden (horror, thriller/suspense)
Waiting for a Scot Like You by Eva Leigh (out 2/23/21, historical romance)
The Duke Who Didn't by Courtney Milan (historical romance)
The Longest Night by EE Ottoman (historical LGBT+ romance, novella)
The Road to Rose Bend by Naima Simone (out 4/27/21, contemporary romance)
Running Away With the Bride by Sophia Singh Sasson (out 1/1/21, contemporary category-length romance)

Currently reading: The Empire Strikes Back: From a Certain Point of View by S.A. Chakraborty, Zoraida Córdova, et al.

On the TBR/wishlist:
Knit, Purl, a Baby, and a Girl by Hettie Bell
Well Matched by Jen DeLuca
Incense and Sensibility by Sonali Dev
Illusionary by Zoraida Córdova
The Three Mrs. Greys by Shelly Ellis
Accidentally Engaged by Farah Heron
Pretty Little Wife by Darby Kane
Black Sun by Rebecca Roanhorse
The Jasmine Throne by Tasha Suri
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